Saltar apartados






1. Chapters in books:

  • Romero, F.J. Bodymusic-Bodypercussion. Rhythms of rock, funky, reage and samba with the corporal percussion and his didactic application. In Perception and Expression in the basic musical culture. I rid Ministry of Education and Science. Upper institute of Training and Resources in Network for the profesorado. ISBN: 978-84-369-4571-3. pp.121-138.
  • Romero, F.J. (2008) Corporal Percussion and multiple Intelligences. VII Days of Music. Barcelona: Generalitat of Catalonia. Departament d' Educació.
    ISBN: 978-84-96907-04-1. pp. 21-38.
  • Romero, F.J. (2006) A letter of Luigi Boccherini in the file of "the Staatsbibliothek Preussische kulturbesitz" of Berlin Luigi Boccherini: studies on sources, reception and historiography. coord By Marco Mangani, Elisabeth him Guin, Jaime Tortella Married. pp. 105-108.


2. Articles in magazines:

  • Romero, F. J. (2008) corporal Percussion in different cultures. Music and Education. Year XXI, 4, nº 76, 46-97.
  • Romero, F.J. (2006) Body music! Body percussion! Didactic of the corporal percussion. Music and Education. Year XIX, 4, nº 68, 49-88.
  • Romero, F. J. (2004) Der Umlauf der Spanischen Handschriften aus dem Antiquariat Read Liepmannssohns in Paris und Berlin. Musical yearbook C.S.I.C., Vol. 59. Pág. 191 – 210.
  • Romero, F. J. (2004) Bodymusic – Bodypercussion. Didactic proposals on psicomotricidad rhythmical. Music and Education, XVII, 4, núm. 60. December.
  • Romero, F. J.(2002) Sources of Marianna Martines in the file prusiano of Berlin. The Miserere to 4 voci concertante, 1768. Nassarre, XVIII, 1-2. Pág. 331 – 374.
  • Romero, F. J. (2001) The Cancionero poetic-musical of Cracovia. Spanish society of Musicology, Vol.XXV, Nº 1. Pág. 143 – 156.
  • Romero, F. J.(2001) Martín and Be used to (1754 – 1806). A contribution to his religious production. Sociedad Spanish of Musicology, Vol.XXIV, Nº 1-2. Pág. 135 – 162.
  • Romero, F. J. (2001) The circulation of manuscripts of Portuguese composers in the anticuario of Leo Liepmannssohn. Nassarre, XVII, 1-2. Pág. 339 – 354.
  • Romero, F.J. (2001) didactic Proposals in base to the systems Bodypercussion and TA KE YOU NA. Music and Education XIV, 3, núm. 47. October.
  • Romero, F. J. (1999) The Mass ferial of the Pasionario of The Palms, likely work of Melchor Hair, 1612 – 1615. The Canarian Museum, Big Canarian. Vol. LIV. Pág: 351 – 370.
  • Romero, F. J. (1999) New approximations to Jesús of Monastery“. Music and Education, Madrid. Núm. 39. Year XII,3. Pág: 81 – 92.



  • Romero, F.J. (2004) The contribution of the last teacher of chapel of the cathedral of Orihuela to the aesthetics of the Motu Own: Carlos Moreno Soria (1874-1962). Records of the International Symposium "The Motu Own of Saint Pío X and the Music ( 1903-2003). Spanish society of Musicology, Vol XXVII, nº 1, pag 455 - 464.
  • Romero, F.J. (2002) Contribution to the aesthetics of the music policoral. Records of the Simposium International Alonso Cano and his period. Grenada 14-17 February. pag 745 -750.



Departamento de Innovación y Formación Didáctica

Universidad de Alicante
Carretera de San Vicente del Raspeig s/n
03690 San Vicente del Raspeig
Alicante (Spain)

Tel: (+34) 96 590 3400

Fax: (+34) 96 590 3464

For further information:, and for enquiries on this web server:

Carretera San Vicente del Raspeig s/n - 03690 San Vicente del Raspeig - Alicante - Tel. 96 590 3400 - Fax 96 590 3464